Nandita Mukand

Flowers with their own stories

7/10/2017

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Excerpt from the OpenART 2017, Sweden Biennale catalogue
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​The catalogue shares some of the stories behind the flowers that were contributed for my installation "Blossom Flourish Wither Perish"

"....Used items carry memories. They have a history, some more clear than others, says Kerstin Wagner, assistant curator, and then shares a special story.
A woman came to the office at Kopmangatan and dropped off an IKEA bag filled with dried flowers. The flowers turned out to be gifts from her late husband and other gifts.
The woman had a hard time separating herself from the flowers, but when she knew that an artist would be able to use them, it made the whole process easier.She brought her bridal bouquet in and asked if we wanted that as well.
The woman Kerstin talks about is Lena Wickberg and when she heard Open Art was collecting flowers, she decided to donate her own collection. Lena started collecting flowers when she and her husband moved in together in the late 1980s. On top of a blue cabinet she put flowers from birthday parties, some of which she had grown in the garden of her country house, and gifts. When they moved to a new apartment, the cabinet and the flowers came along with them and slowly, but surely, the collection grew.

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They are getting more and more fragile and of course drier by the day, but they are amazingly beautiful, especially the roses, says Lena.
In September, it will be two years since her husband passed away and Lena started thinking about what she would do with the apartment, and with the flowers when she heard about OpenArt needing flowers.
The flowers have such a sentimental value to me that it felt great to be able to give them to the art instead of throwing them in the bin, Lena says. There's hardly anything left of my bridal bouquet from my first marriage; it's mostly just wires and a few roses and corn flowers- they get very fragile when you dry them- so I am very excited to see what the artist can do with them.
Lena, who paints with watercolors herself, believes the connection to art through the donations is very important to the people of Orebro. Art should be close to people who otherwise might not get the chance, can actually meet the art. Lena says that she is very inspired by the fantastic ideas the artists have and that they inspire people to be creative and even a little crazy..."
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Multi- group show at One East Asia, Singapore

2/22/2017

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"mʌlti is an exhibition featuring the artists Christopherson Ho (Singapore), Jamie Tan (Singapore), Kyung Sun Jun (Korea), Lam Yau Sum (Hong Kong/China), Lijie Ong (Singapore), Martha Chaudhry (U.S.A/Singapore), Nandita Mukand (India/Singapore), and Wei Li Leow (Singapore). The works presented traverse a multitude of media, exploring the reciprocal relationship between content and form. Medium functions to transpose ephemeral thought into corporeal vessels, giving expression tangibility. Yet its purpose is far more than auxiliary; each material has a signature of its own and dictates content as much as it is dictated by content. Whatever their medium of choice, each artist’s practice is underscored by the same desire for self-expression. The works in this exhibition have been crafted in a plethora of mediums, both traditional and contemporary; juxtaposed so, a conversation between the materiality of each medium is sparked."

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Eclecti-city at Rendezvous Hotel via Art Loft Asia

7/5/2016

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VADA: Untapped Emerging

6/28/2016

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Honored to be a part of The Visual Arts Development Association of Singapore (VADA) inaugural exhibition of UNTAPPED EMERGING. The exhibition featured 9 up-and-coming, Singapore-based artists, hand-picked by the UNTAPPED Advisory Committee consisting of Boo Sze Yang, Martin Constable, Adeline Kueh and Dr Bridget Tracy Tan. It was a pleasure to exhibit with Yanyun Chen, Prakash Haridas, Jodi Tan, Leonard Yang, Yeo Tze Yang, Tay Inning, Ryan Benjamin Lee, Danielle Tay.

Many thanks to the Patrons Ian Dunderdale, Angie Chan and Nick Davies, Terence C W Lim, Mr and Mrs Jimmy Phoon, Will Rathvon, SIO Tat Hiang.

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Petri #4 : Repurposing Nostalgia

1/18/2016

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A refurbished shophouse along Petain Road served as an apt site for the contemplation & interrogation of the nature of the past – more specifically, a wistful view of the past.

The rare chance to exhibit with 20 of Singapore's most exciting emerging voices in contemporary art within a single venue made this show one I will always remember with my own blend of nostalgia . From drawings to photography, installations to performance art, there was something to be discovered in every nook & corner.

Given the innate psychological need for stability, nostalgia offers an alluring coping mechanism in the face of ever-accelerating changes. The proliferation of nostalgia-oriented commercial enterprises as well as urgent questions about the past, our experience & relationship to it dominating Singapore's artistic discourse are but responses to this oft-overwhelming situation.

Repurposing Nostalgia was a showcase of various artistic strategies in co-opting or challenging the nostalgic phenomenon. This diversity also reflected on how the show grew from ground up, with friends roping in friends or acquaintances through face-to-face meetings, texts, emails & social media (this post is adapted from the exhibition text)



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I exhibited the work "Connections" at this show
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Collaboration Journey with Denise Schellmann, Instinc Artist in Residence from Vienna-Halfway Point!

10/21/2015

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​Halway through my collaboration with Denise Schellmann  and we are having a blast! Denise is an artist from Vienna who is doing her artist residency with Instinc in Singapore. It was just wonderful to find ourselves so much in sync regarding our attitude towards art making and the role art plays in our lives.
Since Denise's is a drawing based practice I seized the chance to develop my own drawing working with her. We were both attracted to tracing paper as a drawing medium and so we bought rolls and pads of it and set to work.
Denise at work in my studio.
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Initial Experiments Denise (above) and mine (right)
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In the first week or so we explored each other's ways of working. For example Denise started with working on 3D drawing and I started with markmaking on paper. But soon I couldn't help but crumple the paper in search of texture in the material of the paper itself. The texture experiments continued for a while – I added wax (and some other materials as well) and experimented with different weights of tracing paper (example image on the  right). 
But then i needed to mould the paper some more and see how much I could do with it. A variety of scupltures in several sizes and shapes and that's how these forms were born.
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What helped us work easily together was that spirituality and its link to biology were an integral part of Denise’s practice as well. (Yeo Shih Yun of Instinc residency has managed to match us very well.) 
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​While I was texturing and sculpting with tracing paper, Denise moved back to drawing on flat paper but  her use of colour and mark-making expanded and she also started drawing on a much larger scale. 
​A month into the collaboration we had both developed a solid body of studies (and Denise even had some finished works) that we felt we could take forward. However we felt that there was a lot to be gained from embracing the challenge of merging what we had developed into the same work. This was not easy. Every artist has her unique style, like a handwriting and trying to merge 2 different styles into the same work was initially challenging. I had to modify my textures considerably and she had to make her marks a lot bolder. But we are now at the stage where we are quite thrilled with what we are developing. The final work will take the form of an installation where we are literally "drawing into space". Many thanks to Alexis Butt at the Affordable Art Fair who has been very supportive of our endeavour in allowing us a prominent space to exhibit our installation at AAF this November.  This will be followed by a  two-person show at Instinc. (More details in subsequent blogs)
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"Exploring BigCi" Exhibition at the Hawkesbury Regional Gallery

6/26/2015

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The “Exploring BigCi" exhibition curated by Diana Robson was a special experience for me. I was honoured to be Hawkesbury Regional Gallery's first international artist-in-residence. During the course of the installation I got to know several of the wonderful people working at the gallery . I also had the opportunity to meet with some amazing artists –Nicola Moss and Kath Fries from Australia and Claudia Leuke from Germany.
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The work for the exhibition was derived from another work I had done last year in a residency context at BigCi (photograph on the right). Adapting a site specific work to a gallery context was an interesting challenge. 
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In the first version of this work the plants were hung within a shed-like building that opens onto the forest and so the forest and its greenery are the context within which the work is seen . The plants were collected from the forest floor outside. So if I ran out of raw materials I just had to take a walk into the surrounding forests and collect some more. Creating the work in the gallery at Windsor however meant that the plants had to be collected from the Blue Mountains and transported to the gallery. It became important to ensure enough plants were collected before-hand. Also gallery installation time was limited and I had to react to the new space relatively quickly and build most of the installation within a few days. Luckily I had a lot of support from volunteers and staff to help me collect the plants, transport them as well as carry out the actual work of installation. 
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I was eager to see how I could adapt the work to respond to the gallery space. This time round I was keen to create the plant screens as though floating in space. Also instead of a single high screen, this time I layered the work by allowing the screens to be seen through each other and also by letting the plants interact with their own shadows.
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I also integrated the shadows of the work on the wall with a wall drawing and collage of plants.
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The installation “Dead Plants Don't Grow 2” and the wall drawing “Unknown, Unsung” are intended to be viewed together and to play off each other.
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 Starting from shadows, to pencil drawing, the wall drawings were made progressively stronger. They acquire colour as they move away from the shadows of the plant installation. The brilliant colours in the wall drawings are intended to balance the dense browns in the deadplant installation. To view the finished works click "Dead Plant's Don't Grow 2" and "Unknown, Unsung"
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The Material of Time: Debut Solo Show

3/16/2015

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This series of paintings and sculptural works are inspired by natural surfaces built up over time. The surfaces of nature reflect the phenomenon that bring about their creation- weather, geography, geology and the inherent intelligence of each cell within the biological forms of trees, lichens, moss and fungus. These surfaces record the passage of time occurring continuously, steadily over decades oblivious to the many ups and downs of human fortune. They are a reminder that everything is always in a state of flux yet despite the seeming disorder and chaos there is an underlying order.

I was honored that Kumari Nahappan, an artist I have admired for long, agreed to curate this show.
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      This blog records the events, processes,  experiences and thinking that make up my artistic practice.  If you would like to receive regular e-mail updates, please leave your email address here. 

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    Nandita Mukand is a Singapore-based artist.  Her work deals with the  relationship with Nature and  spirituality from within the contemporary urban context. She employs materiality to question the impact urban life has on our experience of time and the meaning we give to our own existence.

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