Exploring the Line between Man and Nature by Toh Wen Li, The Straits Times,  April 8, 2019
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Exploring the Line between Man and Nature by Toh Wen Li, The Straits Times,  April 8, 2019

Step into The Private Museum in Waterloo Street and you will be greeted by the curious sight of brown "vessels" suspended from the ceiling or resting on the floor.
They seem organic, almost nest-like, but get closer and their devious architecture - hollow structures fashioned from thousands of coniferous seeds held together by wire - have a clearly man-made imprint.
The idea for Empty Vessels, one of a dozen artworks now on display at the two-woman show From Lost Roots To Urban Meadows, was sown in the mind of Singapore-based artist Nandita Mukand three years ago when she was walking through a forest in Spain. Mukand, who was then on an arts residency in the north-eastern region of Catalonia, spotted cypress seeds on the forest floor. (click on image or title line to read more)

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From Lost Roots to Urban Meadows: Exploring the Crisscross Relationship Between Natural and Urban Landscapes by Kane Kwek, danamic. April 4, 2019
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From Lost Roots to Urban Meadows: Exploring the Crisscross Relationship Between Natural and Urban Landscapes by Kane Kwek, danamic. April 4, 2019

“CITY LIFE YIELDS CHOICES THAT CHANGE US, WEAVING AN URBAN VEIL THAT THICKENS; WE NO LONGER SEE OURSELVES AS PART OF THE NATURAL WORLD.”
The typescript imprinted on a wall of The Private Museum was attributed as a quote to Nandita Mukand, one of two artists behind the museum’s latest exhibition, ‘From Lost Roots to Urban Meadows’. (click on image or title line to read more)

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Nandita Mukand by Sam Allen, Creative Arts Social, August 2018
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Nandita Mukand by Sam Allen, Creative Arts Social, August 2018

Nandita was educated in Lucknow, India and graduated as an electronics engineer.  After enjoying a successful career at Proctor & Gamble, she decided to become a full time artist about ten years ago. In 2014 she graduated at the top of her year with a first class BA Honours in Fine Art from Goldsmiths College of Art, London, via LASALLE College of the Arts in Singapore.  Nandita’s work encompasses sculpture, installation and paintings, exploring the recurring themes of nature, materiality, spirituality and connection within an urban environment. She has shown her work in Australia, Spain and at Sweden’s biennale. She has also had several high profile collaborations and solo shows in Singapore.
(click on image or title line for interview)

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artist-profile-nandita-mukand-at-one-east-asia.pdfARTIST PROFILE :: Nandita Mukand at One East Asia by Yen Phang, Artitute, January 2018
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artist-profile-nandita-mukand-at-one-east-asia.pdfARTIST PROFILE :: Nandita Mukand at One East Asia by Yen Phang, Artitute, January 2018

Nandita Mukand talks with us about her second solo exhibition “Forest Weft, City Warp”, which is currently showing at One East Asia as part of Singapore Art Week. Mukand discusses her meditations on nature as a city-dweller, how flora inspires her work, and how she visually expresses the continual changes that occur in life, death and decay.
(click on image or title line for full article)

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Paintings at the Exhibitions: Forest Weft City Warp-Nandita Mukand by 75gramsofpaintings, November 2017
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Paintings at the Exhibitions: Forest Weft City Warp-Nandita Mukand by 75gramsofpaintings, November 2017

Nandita was featured previously in a February 2017 post. We liked her works then and these are even better. She did more sculptural works to hang on the wall, a table top sculptural work which was placed on a mirror surface (to good effect) and a few flatter works.
The works are really excellent! Definitely an improvement from the works which she showed at OneEast Asia earlier in the year and captures / expresses her artist statement really well.
(click on image or title line for full article)

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En biennal i mansklig skala, by Leif Mattsson Omkonst-Open Art 2017, Orebro. 30th June, 2017
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En biennal i mansklig skala, by Leif Mattsson Omkonst-Open Art 2017, Orebro. 30th June, 2017

Translation from Swedish "...Perhaps then, as with Indian artist Nandita Mukand who urged the public to donate dried plants and flowers, which she then built a kind of hanging memory chapel of. The catalog tells about one of the gift givers who contributed with aged birthday bouquets and their own bridal bouquet to the artwork (in Artstation)."
​(click on image or title line for full article)

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