Nandita Mukand
  • Selected Works
    • Sculptural Paintings- Collapsing Evolving Series
    • Sculptural Paintings- Mannat Series
    • Paintings
    • Site Specific Installation >
      • The Tree and Me
      • Blossom Flourish Wither Perish
      • Empty Vessels & The Unborn
      • Dead Plants Don't Grow
      • Entropic Orders
      • Because it Makes me Feel
      • Lessons from Nature (Drawing)
      • Urban Veil & Quickening
  • About
Picture
Collapsing Evolving 3
Cloth,  Plaster, Resin, Acrylics, Wire
145 x 71 x 41 cm
​2021
​Private Collection


Picture
Lost Sun
Cloth, Paper, Plaster, Resin, Paint, Hot Glue, Fishing Line, Wire
95 x 100 x 40 cm
​2018
​Private Collection

Picture
Collapsing Evolving 2
Cloth, paper, plaster, acrylic, resin, wire
83 X 50 x 18 cm
2020 ​
Finalist, Sovereign Asian Art Prize 2021

Picture
Living Plastic 2
Cloth, Paper, Plaster, Resin, Paint, Fishing Line, Hot Glue, Wire
85 x 56 x 14 cm
​2018
Private Collection

Picture
Interwoven Blossoming
Cloth, plaster, resin, acrylic, wire
60 x 54 x 17 cm

2019
Private Collection


Picture
Collapsing Evolving 7
Cloth, plaster, acrylic, resin, wire
76 X 46 X 25 cm
2022
​Private Collection


Picture
Collapsing Evolving 1 
Cloth, paper, plaster, acrylic, resin, wire
30 X 58 X 85 cm
2020 
​Private Collection

Picture
Growing Whither 1
Cloth, paper, plaster, wire, resin, acrylic paint
120 x 109 x 40 cm
2019
​Private Collection

Picture
Each Little Flower that Opens
Cloth, Paper, Plaster, Wool, Epoxy Resin, Paint and Wire
98 x 108 x 11 cm
2017
​Private Collection, Singapore

Picture

​The Dust Holds Untold Treasures 2
Cloth, Paper, Plaster, Epoxy Resin, Paint and Wire

73 x 85 x 9 cm
2017
​Private Collection


Picture
The Dust Holds Untold Treasures 1
Cloth, Paper, Plaster, Epoxy Resin, Paint and Wire
67 x 77 x 10 cm
​2017
​Private Collection

Picture
Entropy Blossoms
Cloth, Paper, Plaster, Epoxy Resin, Paint and Wire
70 x 80 x 20 cm
2017
​Private Collection

Picture
Interwoven Landscapes 1
Cloth, Rope, Plaster, Epoxy Resin and Paint
89 x 103 x 7 cm
2017
​Private Collection, Spain

Picture
Upwards Onwards
Acrylic on Yarn, Resin, Iron Nails
114 x 94 cm
2022
​Private Collection


Picture
Empty Cocoon I and III
Cloth, Paper, Plaster, Wool, Resin, Paint and Wire
I: 47 x 33 x 13 cm
​III: 33 x 25 x 13 cm
2018
​Private Collection, Singapore

Picture
Living Plastic 1
Cloth, Paper, Plaster, Resin, Paint, Fishing Line, Hot Glue, Wire
70 x 60 x 13 cm
​2018
Private Collection

Picture
Urban Veils 2
Cloth, Paper, Plaster, Resin, Paint, Wire
80 x 50 x 14 cm
​2018
Private Commission
​

Picture
Home is a Blade of Grass 2
Cloth, Paper, Plaster, Resin, Paint, Wire
60 x 50 x 22 cm
​2018
​Private Collection

​

Picture
Adjacent Worlds
Cloth, plaster, acrylic, resin on stretched canvas
92 x 124 x 18 cm
2020 
​Private Collection


Picture
The Sky Grows out of the Mud
Cloth, Paper, Plaster, Epoxy Resin, Paint and Wire
54 x 62 x 11 cm
2017
​Private Collection


The hunter-gatherer phase of existence occupies at least ninety percent of human history and this may be why experiencing the Natural world has such a therapeutic impact, connecting at a deep psychic level. When I walk alone in the forests and in the mountains, often I have had a keen awareness of how my body is as organic as the trees, plants and earth around me. It is only the story in my brain that tells me I am a separate identity-the ego that tries to assert itself. When out in Nature I know myself to be a part of it and also of all other living beings. Cloth is used extensively in these works, its interwoven threads symbolizing this interconnectedness at the spiritual level.
I find coherence and beauty in the rhythms of Nature. Processes in Nature follow their own gradual path and cannot be hurried. The barks of trees for example bear the marks of the storms it has weathered, the erosion, the moss and fungi that have grown on it, its own growth marks. One can almost see its building up over the decades on its surface. My work too is built up in layers. It requires waiting for one layer to dry before the next can be applied and in this way the work too cannot be hurried and grows at a certain pace or rhythm dictated by the materials. In this series this effect has been even more pronounced as not only have I used materials like paint and paper that need to dry but also materials like plaster and epoxy resin that have a curing time.
Many of the forms have been created by molding the humble (quintessentially urban) material of toilet paper to the bones of my fingers. Curiously, this trace of the human body becomes a form reminiscent of corals, forest blossoms or fungi growing on the bark of trees- another reminder of how our bodies our connected to natural formations.

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