Nandita Mukand
  • Selected Works
    • Sculptural Paintings- Collapsing Evolving Series
    • Sculptural Paintings- Mannat Series
    • Paintings
    • Site Specific Installation >
      • The Tree and Me
      • Blossom Flourish Wither Perish
      • Empty Vessels & The Unborn
      • Dead Plants Don't Grow
      • Entropic Orders
      • Because it Makes me Feel
      • Lessons from Nature (Drawing)
      • Urban Veil & Quickening
  • About

Winter Residency in the Australian Blue Mountains

7/23/2015

0 Comments

 
It was wonderful to be back in the Australian Blue Mountains for another residency, this time during the Australian winter. This residency was sponsored by the Hawkesbury Regional Gallery and a good portion of it was spent creating site-specific installations at the gallery. But there was enough time to explore other work as well. High on the list of priorities was my investigation of the fascinating plant life in the area.
Picture
Picture
Picture
Picture
Picture
I was also intrigued by the powdery lichen on the tree barks and stones. Rae Bolotin (a wonderful artist who runs the residency program) and I played around with some indian pigment that had been lying around in her studio for 15 years. This became the starting point for a series of experiments in blending artificial colour onto organic materials. I tried out various colours, materials, textures as well as installation options. 
Picture
Picture
Picture
Picture
This residency took place during the Australian winter. Experiencing winter in the southern hemisphere for the first time forced me to rethink my assumptions about how I perceive weather, seasons, the position of the sun in the sky. 
Picture

My fellow artists-in-residence, Rhona Eve Clewes from the UK and Sarah Fuller from Canada, are photographers. Sarah taught us how to make anthotypes-prints with light sensitive material like pulped spinach, beetroot, wine.
Picture
The walks around the area were perhaps the most productive part of this residency experience. Experiencing the beautiful sights, bird sounds and the smell of eucalyptus in the air quietened my mind. Soon creative ideas and solutions for things I had been wrestling with for some time came popping in. Things just fell in place and after a long time I was filling sketchbooks with fully formed ideas I can begin work on.

Here are some photographs from my walks...
Picture
Picture
Picture
Picture
Picture
Picture
 (For details of my installation see my blogpost "Exploring BigCi Exhibition at the Hawkesbury Regional Gallery". Here are the links to the completed work at the Hawkesbury Regional Gallery Dead Plants Don't Grow 2 , Unknown, Unsung). 
0 Comments

      This blog records the events, processes,  experiences and thinking that make up my artistic practice.  If you would like to receive regular e-mail updates, please leave your email address here. 

    Submit

    Author

    Nandita Mukand is a Singapore-based artist.  Her work deals with the  relationship with Nature and  spirituality from within the contemporary urban context. She employs materiality to question the impact urban life has on our experience of time and the meaning we give to our own existence.

    Archives

    December 2019
    November 2019
    July 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    December 2017
    October 2017
    July 2017
    February 2017
    October 2016
    July 2016
    June 2016
    January 2016
    December 2015
    October 2015
    July 2015
    June 2015
    April 2015
    March 2015
    January 2015

    Categories

    All
    Abstraction
    Australia
    Biennale
    Cloth
    Collaboration
    Community
    Drawing
    Ephemeral
    Exhibition
    Fabric
    Flowers
    Installation
    Interwoven
    Materials
    Nature
    Nature Walks
    Newspaper
    Organic Materials
    Painting
    Paper
    Plantlife
    Plants
    Process
    Residency
    Sculptural Painting
    Sculpture
    Singapore
    Sweden
    Urban
    Walking
    Wall Sculpture

    RSS Feed

Inquire

Newsletter